Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider--a film he's convinced will change his career trajectory and rock the world of cinema to its core.
His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete, B.
knows that it is his mission to show it to the rest of humanity.
The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.
All that's left of this work of art is a single frame from which B.
must somehow attempt to recall the film that just might be the last great hope of civilization.
Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter.
Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B.
scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of likes and arbitrary denunciations that are simultaneously his baete noire and his raison d'aetre.
A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself--the grain of truth at the heart of every joke--.
Problem | The film is destroyed leaving him the sole witness to its inadvertently ephemeral genius |
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