These sentences--they--will begin having already been sentences somewhere else, and this will mark their afterlife, and this will be their debut.
So begins Renee Gladman's latest interdisciplinary project, Plans for Sentences .
A tour de force of dizzying brilliance, Gladman's book blurs the distinctions between text and image, recognizing that drawing can be a form of writing, and vice versa: a generative act in which the two practices not only inform each other but propel each other into futures.
In this radical way, drawing and writing become part of a limitless loop of energy, unearthing fertile possibilities for the ways we think about poetry.
If Gladman ascribes to any particular type of poetics, here in Plans for Sentences , we are sure to find that it is robustly grounded in a poetics of infinite language.
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| Versa | A generative act in which the two practices not only inform each other but propel each other into futures |
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