Tony Judt decided to write Postwar in 1989, the year the collapse of the Soviet Union provided European history with a rare example of a clearly-signposted `end of an era'.
Judt's work is also a fine example of creative thinking, in that he excels in connecting things together in new and interesting ways.
This virtue extends from his unusual ability to combine the best elements of the Anglo-American and the French historiographical traditionsthe latter informing his strong interest in the importance of cultural historyto his unwillingness to allow himself to be constrained by historical category and ultimately to his linguistic abilities.
Postwar is, above all, a triumph of integration, something that is only made possible by its author's flair for creating strong, persuasive arguments.
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