Morris's intimate journals, written for a friend, unconsciously explore questions of travel, noting his reaction to the idea of leaving or arriving, to hurry and delay, what it means to dread a place you've never been to or to encounter the actuality of a long-held vision.
Poet Lavinia Greenlaw draws out these questions as she follows in the footprints of Morris's prose, responding to its surfaces and undercurrents, extending its horizons.
The result is a new and composite work, which brilliantly explores our conflicted reasons for not staying at home.
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