In recent years, Rinko Kawauchi's exploration of the cadences of the everyday has begun to swing farther afield from her earlier photographs focusing on tender details of day-to-day living.
In her series and resulting book Ametsuchi (Aperture, 2013), she concentrated mainly on the volcanic landscape of Japan's Mount Aso, using a historic site of Shinto rituals as an anchor for a larger exploration of spirituality.
In Halo , Kawauchi expands this inquiry, this time grounding the proj.
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