WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2018 In the early twentieth century, Marguerite Zorach and Georgiana Brown Harbeson were at the forefront of the modern embroidery movement in the United States.
In the first scholarly examination of their work and influence, Cynthia Fowler explores the arguments presented by these pioneering women and their collaborators for embroidery to be considered as art.
Using key exhibitions and contemporary criticism, The Modern Embroidery Movement focuses extensively on the individual work of Zorach and Brown Harbeson, casting a new light on their careers.
Documenting a previously marginalised movement, Fowler brings together the history of craft, art and women's rights and firmly establishes embroidery as a significant aspect of modern art.
About the Author Cynthia Fowler is a feminist art historian and professor of art at Emmanuel College, Boston.
She received her PhD from the University of Delaware in 2002 and also holds fellowships from the Smithsonian Institute, the Winterthur Museum, and the National Endowment for the Humanities.
Previous work includes Hooked Rugs: Encounters in American Modern Art, Craft and Design and Locating American Art: Finding Meaning in Art Museums .
| Rugs | Encounters in |
|---|---|
| Art | Finding |
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